By Diana Weynand
Up-to-date for ultimate minimize professional 7 and written for pro video and movie editors who comprehend their method round Avid nonlinear platforms, this ebook indicates you ways to translate your abilities to ultimate lower seasoned quick and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a finished "translation path" masking all of the crucial operations, from undertaking set-up and uncomplicated modifying via transitions and results, colour correcting, compositing, titling, and output. you will find exact characteristic comparisons, sensible conversion suggestions, and directions on how one can use ultimate reduce professional beneficial properties that are not to be had in Media Composer. you are going to additionally research what is new in ultimate lower seasoned 7. choked with convenient gains, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complicated enhancing and workflow assistance, this publication could have you modifying with ultimate lower seasoned in checklist time. each one bankruptcy represents a whole lesson in a key element of ultimate minimize seasoned 7 and incorporates a overview part and checklist of keyboard shortcuts.Accessible writing variety places knowledgeable teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp ideas fastChapter overview sections summarize what you've got discovered
Read Online or Download Apple Pro Training Series Final Cut Pro for Avid Editors PDF
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Additional info for Apple Pro Training Series Final Cut Pro for Avid Editors
In the Timeline, Control-click a clip in a sequence and choose Item Properties > Logging Info. Control-click in the Label field for the desired track, and choose a color from the shortcut menu. With this approach, you can colorize individual clip tracks. Working with Tools and Audio Meters After a color label is applied to a clip or sequence, that color is displayed in the Viewer or Canvas and Timeline windows, respectively. Clip with color label appears with colored video and audio tabs Sequence with color label appears with colored tab in the Timeline and Canvas Working with Tools and Audio Meters You select Avid tools by using the keyboard, pressing command buttons, or selecting an option from the Fast menu.
1 Select the subclip in the Timeline or open it in the Viewer. 2 Choose Modify > Remove Subclip Limits. You will now be able to trim or add transitions, and so on. You can undo this step, but once you remove the limits of the subclip, you no longer have a clip that represents the original subclip markings. Lifting and Extracting Lift and Extract work the same way in Final Cut Pro as they do in Avid, though the terminology is a little different. The FCP terms are Lift and Ripple Delete (Extract).
Choose Sequence > Insert Tracks (or Delete Tracks) to add (or delete) multiple tracks, and Control-click in the Timeline track area to add (or delete) one at a time. You can create split edits by Option-dragging existing In or Out mark points or by selecting the appropriate option from the Mark menu or the scrubber bar shortcut menu. You can clear a split edit point by choosing Mark > Clear Split.